21 February 2010

beth b

Stigmata (1991) by Beth B
watch here: www.ubu.com


and more Cinema of Transgression here

Cinema of Transgression Manifesto
by Nick Zedd

We who have violated the laws, commands and duties of the avant-garde; i.e. to bore, tranquilize and obfuscate through a fluke process dictated by practical convenience stand guilty as charged. We openly renounce and reject the entrenched academic snobbery which erected a monument to laziness known as structuralism and proceeded to lock out those filmmakers who possesed the vision to see through this charade.

We refuse to take their easy approach to cinematic creativity; an approach which ruined the underground of the sixties when the scourge of the film school took over. Legitimising every mindless manifestation of sloppy movie making undertaken by a generation of misled film students, the dreary media arts centres and geriatic cinema critics have totally ignored the exhilarating accomplishments of those in our rank - such underground invisibles as Zedd, Kern, Turner, Klemann, DeLanda, Eros and Mare, and DirectArt Ltd, a new generation of filmmakers daring to rip out of the stifling straight jackets of film theory in a direct attack on every value system known to man.

We propose that all film schools be blown up and all boring films never be made again. We propose that a sense of humour is an essential element discarded by the doddering academics and further, that any film which doesn’t shock isn’t worth looking at. All values must be challenged. Nothing is sacred. Everything must be questioned and reassessed in order to free our minds from the faith of tradition.Intellectual growth demands that risks be taken and changes occur in political, sexual and aesthetic alignments no matter who disapproves. We propose to go beyond all limits set or prescribed by taste, morality or any other traditional value system shackling the minds of men. We pass beyond and go over boundaries of millimeters, screens and projectors to a state of expanded cinema.

We violate the command and law that we bore audiences to death in rituals of circumlocution and propose to break all the taboos of our age by sinning as much as possible. There will be blood, shame, pain and ecstasy, the likes of which no one has yet imagined. None shall emerge unscathed. Since there is no afterlife, the only hell is the hell of praying, obeying laws, and debasing yourself before authority figures, the only heaven is the heaven of sin, being rebellious, having fun, fucking, learning new things and breaking as many rules as you can. This act of courage is known as transgression. We propose transformation through transgression - to convert, transfigure and transmute into a higher plane of existence in order to approach freedom in a world full of unknowing slaves.

18 February 2010

Rubbish Instrument

This project consist of building an instrument to improvised with in a live performance. It will be made by found objects as well as modified musical instruments and electronic devices.



The pilot drawings for the instrument



This is a work in progress from my final project at University.
The website for the final show is:
elsa2010.org
a sound compilation is available on the website! listen for free and buy it, if you can.
course's website:
soundarts.co.uk

17 February 2010

bob Cobbing

Ode To Gravity:
Bob Cobbing

One of the best known sound poets in the world is Bob Cobbing, a dynamic gentleman with a sonorous voice and lovely accent, who was active as a poet, performer, and composer of text-sound compositions. Cobbing also was a producer and collector of concrete or visual poetry, and his bookstore, Better Books of London was a leading distribution point for avant-garde poets during the 1960s and 70s. In this program Cobbing talks about his early work as a teacher and later as a publisher of visual poetry, as well as his opinions about the field of sound poetry. You will hear a selection of his sound poems and an engaging interview recorded in Cobbing’s home as he talked with Charles Amirkhanian. Bob Cobbing died in 2002 at the age of 82.

Interview and Music on radiom.org

15 February 2010

unknown devices - scores/audio

here are the scores and the audio from Unknown Devices' performance at Tate Modern on 6th Feb. 2010


streaming: Click Piece.mp3
to download: Click Piece.aif


streaming: Bob Cobbing.mp3
to download: Bob Cobbing.aif


streaming: The Mediumship of the Listener.mp3
to download: The Mediumship of the Listener.aif


14 February 2010

Unknown Devices

Directed by David Toop, 'Unknown Devices: The Laptop Orchestra' is an improvising ensemble of students and alumni from London College of Communication. For their performance at the Speaking Out symposium, Unknown Devices are performing a selection of text based compositions, including works by Mieko Shiomi, Bob Cobbing, John Stevens and David Toop.

The performance was on 6th Feb. 2010 at Tate Modern

13 February 2010

teatrise

Teatrise is a 193-page graphic score by Cornelius Cardew.
On this clip, Seven Guitars - Otomo Yoshihide, Burkhard Stangl, Oren Ambarchi, Keith Rowe, Toshimaru Nakamura, Tetuzi Akiyama, Taku Sugimoto - are playing it and discussing about it




part II

radiom.org

two nice things on radiom.org:

John Cage at the San Francisco Art Institute

John Cage reading his composition "One 7" and answering questions from a capacity audience at the theater of the San Francisco Art Institute. “One 7” is approximately 30 minutes long and consists of brief vocalizations interspersed with long periods of silence. The questions from the audience range from inquiries about the process by which Cage composes, his lack of interest in pleasing an audience, his love of mushrooms, Buddhism, chance operations, and whether Cage can stand on his head.

Speaking of Music:
Gavin Bryars, Feb. 13, 1986

The English composer Gavin Bryars is interviewed onstage in front of a live audience by Charles Amirkhanian as part of the San Francisco Exploratorium's Speaking of Music series on February 13, 1986. With his wry sense of humor and his fascination with arcane philosophical movements of the early 20th century, Bryars fashions an engrossing evening of story telling, intermixed with discussions of his latest musical achievements.

music notations

a simple website with a very straight forward explanation and historical about music notations:
www.blockmuseum.northwestern.edu/picturesofmusic








7 February 2010

elsa 2010





ELSA 2010 is a collective of artists specialising in Sound Art and Design. We are all currently in our the final year of a Bachelors Degree at the London College of Communication, part of University of the Arts, London.

ELSA 2010 is comprised of the following artists.

Laurie Akerman
Sam Andrews
Samuel Annand
Matthew Appelhans
Aradea Barandana
Julian Brown
Rory Buckley
Giuseppe Cantelmo
Catarina De Chaby
Kevin Emre
Ade Franks
Daniel Golan
George Hilton
Lowell Johnson
Steven Johnson
Sammie Joplin
Carina Levitan
Iwonka Makuszynska
Marc Meyer
Paul O'Brien
Ania Przygoda
Sam Robinson
Nanni Rovati
Jose Sanchez
Rollo Smallcombe
Peter Warnock
Christopher Wright
Vincent Ullens


The ELSA 2010 compilation's tracklisiting is complete and can be found on the compilation page from elsa2010.org


General Enquires:
info@elsa2010.org

ELSA 2010 blog:
elsa2010.blogspot.com

4 February 2010

on the edge

'On the Edge' with Derek Bailey

have a look at: ubu.com
". . . this was the best and most intelligent analysis of improvisation to be screened on UK television is probably unnecessary: it has in all likelihood been the only televised programme on this form of music-making. . ."

1 February 2010

atelier du spectacle

ateliers-du-spectacle.org

I hardly recommend. Never saw someone working with projection like them. Also, is incredible the structures they developed to play a wonderful and subtle sounds! Thks