25 February 2010
downloads
nice stuffs
continuo.wordpress.com
experimentaletc.blogspot.com
abracadabra-br2.blogspot.com
mutant-sounds.blogspot.com
21 February 2010
beth b
watch here: www.ubu.com
and more Cinema of Transgression here
Cinema of Transgression Manifesto
by Nick ZeddWe who have violated the laws, commands and duties of the avant-garde; i.e. to bore, tranquilize and obfuscate through a fluke process dictated by practical convenience stand guilty as charged. We openly renounce and reject the entrenched academic snobbery which erected a monument to laziness known as structuralism and proceeded to lock out those filmmakers who possesed the vision to see through this charade.
We refuse to take their easy approach to cinematic creativity; an approach which ruined the underground of the sixties when the scourge of the film school took over. Legitimising every mindless manifestation of sloppy movie making undertaken by a generation of misled film students, the dreary media arts centres and geriatic cinema critics have totally ignored the exhilarating accomplishments of those in our rank - such underground invisibles as Zedd, Kern, Turner, Klemann, DeLanda, Eros and Mare, and DirectArt Ltd, a new generation of filmmakers daring to rip out of the stifling straight jackets of film theory in a direct attack on every value system known to man.
We propose that all film schools be blown up and all boring films never be made again. We propose that a sense of humour is an essential element discarded by the doddering academics and further, that any film which doesn’t shock isn’t worth looking at. All values must be challenged. Nothing is sacred. Everything must be questioned and reassessed in order to free our minds from the faith of tradition.Intellectual growth demands that risks be taken and changes occur in political, sexual and aesthetic alignments no matter who disapproves. We propose to go beyond all limits set or prescribed by taste, morality or any other traditional value system shackling the minds of men. We pass beyond and go over boundaries of millimeters, screens and projectors to a state of expanded cinema.
We violate the command and law that we bore audiences to death in rituals of circumlocution and propose to break all the taboos of our age by sinning as much as possible. There will be blood, shame, pain and ecstasy, the likes of which no one has yet imagined. None shall emerge unscathed. Since there is no afterlife, the only hell is the hell of praying, obeying laws, and debasing yourself before authority figures, the only heaven is the heaven of sin, being rebellious, having fun, fucking, learning new things and breaking as many rules as you can. This act of courage is known as transgression. We propose transformation through transgression - to convert, transfigure and transmute into a higher plane of existence in order to approach freedom in a world full of unknowing slaves.
18 February 2010
Rubbish Instrument
The pilot drawings for the instrument
This is a work in progress from my final project at University.
The website for the final show is:
elsa2010.org
a sound compilation is available on the website! listen for free and buy it, if you can.
course's website:
soundarts.co.uk
17 February 2010
bob Cobbing
Ode To Gravity:
Bob Cobbing
One of the best known sound poets in the world is Bob Cobbing, a dynamic gentleman with a sonorous voice and lovely accent, who was active as a poet, performer, and composer of text-sound compositions. Cobbing also was a producer and collector of concrete or visual poetry, and his bookstore, Better Books of London was a leading distribution point for avant-garde poets during the 1960s and 70s. In this program Cobbing talks about his early work as a teacher and later as a publisher of visual poetry, as well as his opinions about the field of sound poetry. You will hear a selection of his sound poems and an engaging interview recorded in Cobbing’s home as he talked with Charles Amirkhanian. Bob Cobbing died in 2002 at the age of 82.Interview and Music on radiom.org
15 February 2010
unknown devices - scores/audio
14 February 2010
Unknown Devices
The performance was on 6th Feb. 2010 at Tate Modern
13 February 2010
radiom.org
John Cage at the San Francisco Art Institute
John Cage reading his composition "One 7" and answering questions from a capacity audience at the theater of the San Francisco Art Institute. “One 7” is approximately 30 minutes long and consists of brief vocalizations interspersed with long periods of silence. The questions from the audience range from inquiries about the process by which Cage composes, his lack of interest in pleasing an audience, his love of mushrooms, Buddhism, chance operations, and whether Cage can stand on his head.Speaking of Music:
Gavin Bryars, Feb. 13, 1986
The English composer Gavin Bryars is interviewed onstage in front of a live audience by Charles Amirkhanian as part of the San Francisco Exploratorium's Speaking of Music series on February 13, 1986. With his wry sense of humor and his fascination with arcane philosophical movements of the early 20th century, Bryars fashions an engrossing evening of story telling, intermixed with discussions of his latest musical achievements.music notations
www.blockmuseum.northwestern.edu/picturesofmusic
7 February 2010
elsa 2010
ELSA 2010 is a collective of artists specialising in Sound Art and Design. We are all currently in our the final year of a Bachelors Degree at the London College of Communication, part of University of the Arts, London.
ELSA 2010 is comprised of the following artists.
Laurie Akerman
Sam Andrews
Samuel Annand
Matthew Appelhans
Aradea Barandana
Julian Brown
Rory Buckley
Giuseppe Cantelmo
Catarina De Chaby
Kevin Emre
Ade Franks
Daniel Golan
George Hilton
Lowell Johnson
Steven Johnson
Sammie Joplin
Carina Levitan
Iwonka Makuszynska
Marc Meyer
Paul O'Brien
Ania Przygoda
Sam Robinson
Nanni Rovati
Jose Sanchez
Rollo Smallcombe
Peter Warnock
Christopher Wright
Vincent Ullens
The ELSA 2010 compilation's tracklisiting is complete and can be found on the compilation page from elsa2010.org
General Enquires:
info@elsa2010.org
ELSA 2010 blog:
elsa2010.blogspot.com
5 February 2010
4 February 2010
on the edge
have a look at: ubu.com
". . . this was the best and most intelligent analysis of improvisation to be screened on UK television is probably unnecessary: it has in all likelihood been the only televised programme on this form of music-making. . ."
1 February 2010
atelier du spectacle
I hardly recommend. Never saw someone working with projection like them. Also, is incredible the structures they developed to play a wonderful and subtle sounds! Thks